Topography came about from a desire to transform the gallery space into an environment that resonates with my influences as an artist. Thirty paintings were made specifically for the San Diego State University Jackson Gallery in an effort to create a space removed from the profane, everyday world. Topography may be interpreted as a psychological as well as physical map that the viewer chooses to enter. The painting surfaces appear to be in a state of flux, or deconstruction, but are actually in a stable, frozen state, one that suggests the controlled chaos of my working process.
2005 | Mixed media | 30- 48"x48" panels
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48
2005 | acrylic, ink | 48x48